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Be transported to a place like no other: a tiny, man-made island in the bay of Nagasaki, for two hundred years the sole gateway between Japan and the West. Here, in the dying days of the 18th-century, a young Dutch clerk arrives to make his fortune. Instead he loses his heart. Step onto the streets of Dejima and mingle with scheming traders, spies, interpreters, servants and concubines as two cultures converge. In a tale of integrity and corruption, passion and power, the key is control - of riches and minds, and over death itself.
<strong>Amazon Best Books of the Month, July 2010</strong>: David Mitchell reinvents himself with each book, and it's thrilling to watch. His novels like <em>Ghostwritten</em> and <em>Cloud Atlas</em> spill over with narrators and language, collecting storylines connected more in spirit than in fact. In <em>The Thousand Autumns of Jacob de Zoet</em>, he harnesses that plenitude into a more traditional form, a historical novel set in Japan at the turn into the 19th century, when the island nation was almost entirely cut off from the West except for a tiny, quarantined Dutch outpost. Jacob is a pious but not unappealing prig from Zeeland, whose self-driven duty to blurt the truth in a corrupt and deceitful trading culture, along with his headlong love for a local midwife, provides the early engine for the story, which is confined at first to the Dutch enclave but crosses before long to the mainland. Every page is overfull with language, events, and characters, exuberantly saturated in the details of the time and the place but told from a knowing and undeniably modern perspective. It's a story that seems to contain a thousand worlds in one. <em>--Tom Nissley</em>