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<div> <b>The breakout book from a prizewinning young writer: a breathtaking, suspenseful story of one man’s obsessive search to find the truth of another man’s downfall.</b><br> <br> Nelson’s life is not turning out the way he hoped. His girlfriend is sleeping with another man, his brother has left their South American country, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of <i>The Idiot President</i>, a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins.<br> <br> The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos.<br> <br> Nelson’s fate is slowly revealed through the investigation of the narrator, a young man obsessed with Nelson’s storyand perhaps closer to it than he lets on. In sharp, vivid, and beautiful prose, Alarcón delivers a compulsively readable narrative and a provocative meditation on fate, identity, and the large consequences that can result from even our smallest choices.</div>
<p><strong>An Amazon Best Book of the Month, November 2013: </strong> A young man, hopelessly in love with his ex-girlfriend, lands a part in a revival of a controversial political drama. He journeys with his childhood hero, the playwright, through tiny towns scattered along the sparsely-populated mountainside. This hardly seems like the normal territory of a thriller but <em> At Night We Walk in Circles</em> delivers suspense to spare with tightly-written narratives, modern phrasing, and crisp character studies by Peruvian-born author Daniel Alarcón. Told through the eyes of a narrator who sprinkles in knowing tidbits about the ultimate fate of the young man, the story builds in momentum while simultaneously taking quiet forays into a world of dashed dreams, complex family obligations, and everyday dilemmas that are relatable even when set in an unnamed, Latin American metropolis or an eerily empty village. <em> At Night We Walk in Circles</em> pointedly delves into universal themes: life as merely a series of performances and small gestures that have inexplicable consequences. Like moths to a flame, it's the desire to blindly follow that will ultimately lead to our downfall. --<em>Bora McAteer</em></p>