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The first installment in a wonderful new series that follows the exploits of Benoît Courrèges, a policeman in a small French village where the rituals of the café still rule. Bruno—as he is affectionately nicknamed—may be the town’s <i>only</i> municipal policeman, but in the hearts and minds of its denizens, he is chief of police.<br><br>Bruno is a former soldier who has embraced the pleasures and slow rhythms of country life—living in his restored shepherd’s cottage; patronizing the weekly market; sparring with, and basically ignoring, the European Union bureaucrats from Brussels. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes everything and galvanizes Bruno’s attention: the man was found with a swastika carved into his chest.<br><br>Because of the case’s potential political ramifications, a young policewoman is sent from Paris to aid Bruno with his investigation. The two immediately suspect militants from the anti-immigrant National Front, but when a visiting scholar helps to untangle the dead man’s past, Bruno’s suspicions turn toward a more complex motive. His investigation draws him into one of the darkest chapters of French history—World War II, a time of terror and betrayal that set brother against brother. Bruno soon discovers that even his seemingly perfect corner of <i>la belle France</i> is not exempt from that period’s sinister legacy.<i><br><br>Bruno, Chief of Police</i> is deftly dark, mesmerizing, and totally engaging.