All the Living

“A first novel so self-assured and unto itself, so unswerving in its purpose, so strummed through with a peculiar, particular, electrifying sound, that I found myself reading in a state of highest perplexity, and also gratitude and awe . . . All the Living is a novel about the hardest things—about grief and lonesomeness, about desiring much and staying true, about loving through and forgiveness. It\'s a novel that makes you think on all of that anew, and that spares nothing and no one in the process.”—Beth Kephart, Chicago Tribune

 

“Rarely in this reviewer’s memory has a debut novel emerged with such a profound sense of place as C. E. Morgan’s All the Living. As the story unfolds, descriptions are so vivid, yet so integrated and organic, that the reader can almost feel the lassitude of stifling humid air, smell the rich, warm earth, and see the furrowed fields, the dark mountains in the distance. The level of poetic detail makes All the Living a slow, seductive dive into another time and place, a deep, quiet place foreign to the frantic pace of contemporary urban life.”—Karen Campbell, The Boston Globe

 

“This lovely little book [is] one [readers] will be able to enter, be caught up by and remember. Morgan\'s prose is enchanting from the outset, its descriptions fresh, its cadences biblical. It is also fiercely inventive . . . Some readers will take deep satisfaction in the turn Aloma’s path takes by novel’s end. Others will grieve. But I doubt they’ll soon forget her story—its setting, its way of life—seamless as haunting music.”—Joan Frank, San Francisco Chronicle

“As I read the opening pages of All The Living I was suddenly no longer in my study but gazing out at the leafy tobacco plants of a small Kentucky farm where a young couple are struggling to make their  living, and their lives.  In seemingly effortless prose, C.E. Morgan captures both the complexity and the simplicity of Orren\'s relentlessly hard work and Aloma\'s dangerous drift towards another man.  A wonderful debut.”—Margot Livesey, author of The House on Fortune Street

“Lack is everywhere in All the Living. Lack of rain, lack of cash, lack of other, less tangible things. From the first pages of C. E. Morgan’s gripping, sensual debut novel, the contemporary Kentucky countryside sprawls into view . . . On this haunted background, Morgan paints a lush portrait of love in a bleak landscape . . . Morgan at once probes and tempers this privation in rich, poetic prose. She knows the land and her characters in minute detail and sets them forth with startling, lyric certainty . . . Morgan attended divinity school, and there is a sense of conjuring in her language; her prose is both earthbound and hymnlike, with the slight inflection of southern scripture.”—Bookforum

“Morgan delivers an energetic novel ripe with both spiritual undercurrents and hardscrabble realism. Like Cormac McCarthy, she shows an attachment to working people, the land, and a kind of contemporary country timelessness.”—Venus Zine

“Those who read for character and landscape will feast on C. E. Morgan’s uncommon debut.”—Karen R. Long, The Plain Dealer

“Morgan is a wonderful writer, her prose is near-poetry . . . [her] writing is the equal of Wendell Berry’s in its descriptive power. [All the Living is] a book that is best savored. It will leave you looking forward to Morgan’s next book.”—Greg Langley, The Advocate (Baton Rouge)

“All the Living is an excellent debut for Morgan, a bold book of small incidents and large emotions. It is the work of an author unafraid to wrestle with language . . . Morgan gives us a portrait of love that’s both simple and complicated at the

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